| Search keyword(s): '
Focus on America'
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Focus on America |
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November 2002 |
| ". . . He sought to make photographs that were the pictorial equivalents of emotional responses, similar to music." |
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Focus on America |
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January 2001 |
| The exhibition at Atlanta's High Museum "is about the sincere passion of a collector and his desire not only to live with his collection, but to share his love of these images with his friends and the public." |
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Focus on America |
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May 2002 |
| "His photographs transcend the simple description of objects and landscape; they depict transient aspects of light, atmosphere, and natural phenomena." |
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Focus on America |
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July 2004 |
| "Sally Mann: What Remains" -- ". . . At the base of a hickory tree was a glistening pool of dark blood. I was tempted to touch its perfectly tensioned surface. Instead, as I stared, it shrank perceptively . . . As if the Earth had taken a delicate sip." |
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Focus on America |
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January 2004 |
| Her "gift for rendering strange those things we consider most familiar continues to challenge our assumptions about the nature of everyday life and compels us to look at the world in a new way." |
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Focus on America |
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September 2003 |
| The photographer "previsualized in the ground glass of his camera a new ideal in the form of the absolute real." |
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Focus on America |
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September 2001 |
| ". . . As he developed his art beyond technical virtuosity, Weston created photographs that could hold more-profound meaninggs, and thus a greater variety of interpretations." |
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Focus on America |
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May 2001 |
| "Gutmann observed the life of [San Francisco] with the detachment of an anthropologist examining an exotic culture." |
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Focus on America |
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September 2005 |
| "Faster: The Pomona Drags" examines a remarkable head-on confrontation between two technologies that have shaped the Southern California psyche--cars and cameras." |
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Focus on America |
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November 2006 |
| "In the city that itself resembles a lost civilization, wrecked rooms, caved-in houses, and ravaged neighborhoods become metaphors for the fragility of human life." |
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Focus on America |
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November 2002 |
| "The people in his photographs seem posed to walk right out of their frames, immediately recognizable and wholly alive, down to the most-telling detail." |
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Focus on America |
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July 2013 |
| A landmark exhibition considers the evolving role of photography during the Civil War. |
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